Dan was born at a young age, killed a man in Reno just to watch him die, and ate the last mango in paris. Then he wrote this book.
I was born in 1977, on March 4th—the only day of the year that’s also a sentence, so I may have been predestined to be a writer. (Okay, I admit, any day in March is technically a sentence, but March 4th is the only non-numeric sentence. So there.) My parents were avid readers and SF/Fantasy fans, and they began my education early: I saw Star Wars in the theater when I was four months old, my dad read me The Hobbit when I was six, and I’ve been hooked on everything like it ever since. In second grade I announced to my parents that I was going to be a writer, and promptly wrote a Choose Your Own Adventure book about a maze that was literally impossible to escape—no matter which options you chose, you just kept going around in circles. I’d like to think I’ve come a long way since then.
I grew up in the US, in the state of Utah, and spent my childhood reading, writing, and learning everything I could. I thought for a time I was going to be a poet, and I still have a strong love of poetry. I’d like to think that, some day in the far-flung future, I’ll retire and teach British poetry in a college somewhere; I’ll find a way to combine John Keats, Emily Bronte, and A.A. Milne into a cohesive curriculum. I imagine that I will do so while wearing a tweed suit, ideally with elbow patches. My assistants will be a pair of hunting dogs named Cecil and Percy.
We had a library just a few blocks from my house—the Sprague Library in Sugarhouse, a place very dear to my heart—though one of the intervening streets was a very busy one that we were forbidden to cross without our parents. When I was finally old enough to go the library on my own I went almost every day, devouring book after book until the librarians knew me by name. Here I discovered Anne McCaffrey, Robin McKinley, Madeline L’Engle, Lloyd Alexander, and Fred Saberhagen. As I grew older I turned to other genres—not because I’d outgrown the fantasy section, but because I’d read the whole thing and needed something new. I read science fiction. I read historical fiction. I read historical non-fiction and true crime. In high school I discovered “classic literature” and the likes of Charles Dickens, Joseph Conrad, Jane Austen, and Mark Twain. Hungry for more I started reading non-English works outside of class, and began a lifelong love of French and Russian literature through the works of Victor Hugo and Fyodor Dostoevsky.
Oddly enough, I never really read a lot of horror, but you can still see, looking at the list above, how I ended up as a horror writer. The brilliant misanthropy of Crime and Punishment and The Secret Agent; the devastating obsession of Les Miserables and The Count of Monte Cristo; the terrifying human potential of The Heart of Darkness; the hopeless grandeur of The Hunchback of Notre Dame; these fired my mind unlike anything I’d ever read before. I thought I was going to be a high fantasy writer, but everything I wrote had a dark undercurrent lurking in the background, begging to get out, and with each book I wrote I tested that darkness a little further. Eventually a friend (Brandon Sanderson who deserves full credit for this) called me on it and told me to just give in and write a horror book. Without a really solid grounding in modern horror I turned to the next closest thing I had: true crime, and my sidebar obsession with serial killers. It was like coming home—I don’t know how else to explain it. I’d been writing books and short stories for years, with varying degrees of success, but the instant I sat down to write about John Cleaver, teenage sociopath, I knew I’d finally found what I wanted to do.
Meanwhile, believe it or not, I had a life outside of books. I love to travel; I lived in Mexico for a while (where I became fluent in Spanish), and later moved my family to Germany (where I did not become fluent in German, alas, but my kids did). I worked as a marketing and advertising writer in a string of local corporations, hawking everything from shampoo to fitness machines to humanitarian sponsorships. I volunteered on a small press SF magazine (The Leading Edge); I started a game review website (www.timewastersguide.com); I helped start two weekly writing groups (both “Here There Be Dragons” and “Rats with Swords”). In my spare time, such as it is, I am an absolutely rabid gamer—an entire room of our house is filled with tabletop miniatures, collectible card games, and my vast collection of board games.
[For the curious, I played Warhammer 40k (Space Wolves and Dark Eldar) and Warhammer (Dark Elves) until my oldest child learned to walk, at which point the breakable minis went into the closet and I started collecting pre-painted plastic minis such as Heroclix, Mage Knight, Horrorclix, and eventually Star Wars and D&D; I eventually got back into painting minis with Warmachine (Retribution and Khador). I play casual Magic: The Gathering, and when I can find an opponent I have ten or so lesser-known CCGs I love to break out and play (WARS, a stillborn Decipher CCG, is my vote for best CCG design ever, although Sabertooth’s Warhammer 40k CCG is a strong contender). I have almost every Rifts book ever printed, and a bunch of other stuff from Pathfinder to Star Trek to Legend of the Five Rings (my current favorite). My board game collection topped 300 games last year, and continues to grow at a rate that suggests I may have a serious addiction; the jewel of my collection is a pristine copy of Rail Baron my mom found on ebay a few years ago, though my childhood copy of Fireball Island is a close second--one of the figures is broken, but we still have all the marbles! My pick for favorite game waffles back and forth between Last Night on Earth and Battlestar Galactica. If the game tells a story, I'm in.]
I’m going to finish this off with a quick set of lists, each of which is presented in no particular order:
Dune, Frank Herbert
Les Miserables, Victor Hugo
Perfume, Patrick Suskind
American Gods, Neil Gaiman
Taran Wanderer, Lloyd Alexander