I woke up this morning to find a couple of delightful goodies in my inbox. This is one of them:
I’ve said for months now that the German cover is my favorite, but this one…this one might beat it. I love the typeface on the top, especially the way the “not” is kind of fading into the sky. Most places that call out the “not” do so by making it more prominent, but having it less prominent, like we’re watching it disappear, is devilishly clever. I also love the cool, evocative image. There’s a lot of great texture, a lot of good color, and a fascinating mixture of vibrancy and deadness that fits the book really well. Kudos to you, Taiwan! This cover is awesome!